I woke up at 4am to get ready. The call time was 7am, the location was a bus stop on Finsbury Square.

When we all got together, Pete began to set up the camera, and I went through the scene with the actors while they got their makeup done.
Then, trouble…

Due to the Easter weekend (I think) there was a Jubilee line replacement bus service. The problem: the buses were using our bus stop as a waiting stand! As one left, another would take its place. Disaster!

It got to a point where I had to make up a new story of how these characters meet to work with the only location we had in control at that time, a monument thing, or, scrap the day to shoot on another day. My director side wanted to do a different day, but my producer side said no way.
It was bad, and I felt as though my film was going to be ruined!

Luckily for us, Andrew Ormerod showed us all, once again, what a great Location Manager and scout he is. He found us a new bus stop on Silk Street (near the Barbican centre) within 10 minutes. A bonus was that this new bus stop was actually better than our original. It was a quieter road and was still urban looking (being just around the corner to Finsbury Square).
In the words of KC, our Assistant Ditector, Andrew Ormerod is a ‘legend.’

By doing the recce a few days earlier with the original bus stop, Pete Wallington easily adjusted to the new location, and the shot list didn’t have to be changed.

Shooting was “easier” than the night before as all the scenes were at this one location. We shot the first scene pretty quickly as it was only about three lines and we moved on to the next.

There was a little interuption when a security guard from a nearby building decided he wanted to feel important and powerful by demanding for our shooting permission. After a few words from Andrew, he went away saying he’ll be back after talking to the law department and police. He didn’t come back and no police came.
Maybe he just wanted to be in the film.

Anyway, the scene was a flashback scene, pre-destroyed London. To have that contrast that I want, this scene involved extras. I only needed about five, but the night before my casting director told me he couldn’t get any extras because of the Easter weekend!

Luckily, after only a few calls to friends and family, I had my extras. I’d like to thank them for helping me out when I really needed them. Thank you: Davina Tirvengadum, Kay Munns, Alyaa Khogali, and my mum. I just forced Adeel (my brother) to sit there pretending to read a newspaper next to the actors. So, he’s actually in a lot of the shots with the actors! Also thanks to my sister Zahrah Ahmed and my aunty Amina for turning up and doing nothing.

Anyway, we shot that pretty “effortlessly” although the extras did get a bit bored, not realising the time it took to set up between shots. Thanks again extras!

Next up was a post-destroyed scene, where the characters are battered and bloody. Jane did a great job matching up Drew’s makeup from the shoot on Saturday, and pretty quickly too. It was also Claire’s first time with the blood and scars. It was gross.

Surprisingly, even with the few hiccups and near disasters that we encountered, we actually finished early! That’s all thanks to the great cast and crew. We’ve all become friends, having fun and still getting the film shot on time. We’re doing what we love.

We also witnessed a pigeon dying. It was sitting there when we started. Chris Patterson (Focus Puller) could probably tell the story better. He’s told it so many times, each time it gets better and more epic. Basically, it was quite ill looking. It’s wing was badly damaged. A little while later, we went to check on it, and it started coughing up blood. Then it’s head slowly dropped, and it died. Sad.

By the end of the day, I was in a bad state. I had the worst headache I’ve ever had, and I had to drive home.
When I got home it worsened, and I felt really sick.

After some TLC from my mum last night and today, I’m feeling a bit better. I’ve been lying in bed writing these two posts and tweeting on Twitter on my iPhone.

After all the energy it has taken out of me, I still love directing. Just next time, I’m going to try limiting films I write to day time and set it indoors where it’s nice and warm!

Here’s some production stills taken by Andrew “The Legend” Ormerod:

I can’t sleep, like most nights, so I thought I might as well get round to sharing the actual story behind Shattered Pieces. I wanted to keep it a surprise for when the film is finished, but there’s no point of keeping a production blog if nobody understands what I’m doing!
I won’t give away too much. I’m not very good at selling this, so it will probably turn most people away! I’ll give it try.

Shattered Pieces opens with a man, Ted Wilson, waking up battered and bruised in an alleyway. Confused and in deep pain, he steps out— his face fills with horror. London has been destroyed and abandoned.

The film is made up of various parts of his memories, in a non-linear style, as he tries to piece together what has happened and why he is there.
We soon realise that this isn’t really a story about what happened to London; but instead about a relationship between Ted and a girl, Sara Baliam, forming, growing strong and then falling apart.
A tragic love story set in an unstable world.

I hope that makes sense and doesn’t seem too bad. I’ll refine it once I get on the computer. This iPhone app is pretty handy. If I get the chance to, I’ll be blogging on set!
It’s going to be a busy few days doing last minute preparation before the shooting starts on Saturday.

I’ve just finished the shot-list for the short film, and sent it to the Assistant Director, KC Thiruchelvam. We begin shooting on the 11th April, so only a few days to go! It’s going to be intense.

I have also received the newspapers which I have had specially made. They will be used in the backgrounds of the film, to add more depth and reality to it. They look just like real newspapers! I think I’m going to have to explain the basic story of the film soon. I’ll do that when I get a bit more time.

From the newspapers, you’re probably going to think the film is something political. It isn’t. The focus of the film is a relationship between two people, Ted Wilson and Sara Baliam. It just happens to be set in a political world, just like the world we live in, but I’m using it in an artistic way (I hope). As their relationship breaks down, so does their world. The way I try to explain their world breaking down is with a political side story, very similar to the New World Order, which I have named Global Order or G.O. for short.